
Now we previously stated that Toys R Us has pre-orders set for April 10th, but LEGO says the on shelf date is May 1st, so we don't expect to see any early birds until mid-April at the earliest. Keep watching!
Superman takes to the skies once more as acclaimed actor Henry Cavill (The Tudors, Immortals) dons the suit, cape and S-shield of the MAN OF STEEL.
With an all-star cast that includes Diane Lane and Kevin Costner as John and Martha Kent, Clark’s earthbound parents; Oscar® winner Russell Crowe as Superman's Kryptonian father Jor-El; The Fighter's Amy Adams as intrepid Daily Planet reporter Lois Lane; The Matrix's Laurence Fishburne as editor Perry White; and Boardwalk Empire's Michael Shannon as Superman’s otherworldly archenemy General Zod, populations from Smallville to Metropolis are psyched for Superman. With the directorial stylings of 300's Zack Snyder and the superheroic production team behind Christopher Nolan's Dark Knight trilogy, the sky's the limit for the last son of Krypton
Geek, Bride, Daredevil, Female Viking, Jungle Boy, Bunny Suit Guy, Olympic Swimmer, Male Tennis Player, Female Rock Star, Aztec Warrior, Bagpipe Player, Sci-Fi Warrior, Hippie, Evil Knight, Little Red Riding Hood & KING POSEIDON!!! ..or Ariel's dad...whichever u prefer.
We hear these are hitting stores now, which is funny because we never even saw series 6 at retail. Baa.
Morgan Elektra is a regular contributor on Dreadcentral.com.Book adaptations are always tricky business. Even more so when the book in question is wildly popular. Millions of fans go in with a passion for characters and story, and sometimes ridiculously high expectations. Filmmakers have to walk a line between adherence to the source material and their ‘dramatic interpretation’ of it. Plus, there’s the added difficulty that, even in our age of advanced technology, some things just don’t translate well from page to screen. There’s so much going in to making a “page-turner” into an “edge-of-your-seat-er” that one or two seemingly small ‘off’ things can muddy the entire effort.
Unfortunately, that’s the case with writer/director Gary Ross’ version of ‘The Hunger Games’. In Suzanne Collin’s best selling book, America as we know it no longer exists. Sometime in our future the country revolted against a corrupt and controlling government, only to lose the rebellion. The result of this is a society where the twelve remaining districts (district 13 having been bombed into a wasteland) are enslaved to the government. The citizens are basically indentured servants who farm, mine, and manufacture goods for the pampered denizens of the Capitol.
In addition to this, every year, each district must provide two tributes, one male and one female, between the ages 12 and 18 to fight in the annual Hunger Games; a televised fight to the death in which the victor and their district are showered with wealth and gifts. Ross sets this up with a quote from the ‘Treaty of Treason’ before the movie begins, and while I understand the need for back story here, it just feels weightless. Beginning this way holds no meaning when we don’t know the world in which this treaty came about (and for those of us who do, we don’t need it anyway), and in order to set up enough of background to give it due weight would have resulted in a scroll that would put Star Wars to shame. It becomes especially pointless when several minutes later we’re shown (along with the gathered peoples of District 12) a video which establishes the Hunger Games in a much better framework.
The introduction of Katniss Everdeen, comforting Prim during a nightmare, sneaking beyond the fence to hunt, sharing a bonding moment with best friend Gale discussing treason and getting ready for the Reaping, is rapid fire in order to quickly bring us to the first big emotional moment... when Prim’s name is called and Katniss volunteers to take her place. See how much information that was in such a small space? Yeah, that’s how it was on film, too. I was already frustrated with the pacing at this point, but figured things would slow down and take their time once we got to the Capitol. That never happened. We continue at what feels like a breakneck speed for almost the entire film, with only a few moments taken out to slow down for ‘emotional’ scenes’. For me, this was the biggest issue with the movie version of Collin’s story.
There are things that were done right. Jennifer Lawrence was a brilliant choice to play Katniss, with a palpable quiet strength and the kind of natural beauty that sort of sneaks up on you. She looks cute and somewhat plain in her braided hair and prairie-like dress at the Reaping, and then you dress her up in something clearly designer and put on a little bit of makeup and she looks gorgeous. Even when paraded about in fancy attire beyond her lifestyle, you can still see the shrewd calculation in her hazel eyes. She’s believable as a cold hunter, rough around the edges socially speaking, and as a flustered young girl confronted with more attention then she knows what to do with.
The rest of the casting choices looked their parts surprisingly well, though none of them really get the screen time to inhabit them (there’s that pacing issue again). Woody Harrelson’s Haymitch has barely any interaction with his tributes, and his drunkenness and bad attitude seem played more for laughs instead of the clearly damaged survivor we got in the books. There, seeing what had become of Haymitch after his “winning” the Hunger Games gave the reader a real sense of dread. His presence gave testament to the fact that even if one of them was the victor, the things they had to do to get there will most likely haunt them forever. I loved Elizabeth Banks as seemingly fluffy headed Capitol lackey Effie Trinket, which is why is was really unfortunate that her best scene - a rambling, cheery speech about how wonderful it must be for the tributes to get to experience the lavish train trip and how much they must be looking forward to visiting the City - was muted in order to highlight Katniss’ facial expressions as she reacts to the luxury. The fact that Effie views what she’s doing (delivering teens to nearly sure slaughter) as a job, and her hopes of them doing well have more to do with her wanting a promotion out of being in charge of dismal, loser District 12 than wanting them to live underscores the vast differences between life in the Capitol and life in the districts far more than her outrageous clothing. Of course, these are things we learn in the book through her talks and interactions with Katniss, Peeta and Haymitch, very little of which was translated to the screen. The same goes for Cinna, Katniss’ designer portrayed by Lenny Kravitz, and Rue, the young girl tribute that Katniss befriends in the arena. Ironically, the secondary character I felt we got to know best was Wes Bentley’s awesomely bewhiskered game-maker Seneca Crane, whose role in the books was pretty minuscule.
Because we don’t get to really know these other characters, those scenes that should be emotional don’t hit home. The movie follows the book pretty closely but it’s a superficial adherence. I can’t help but think that if Ross had cut down on the time spent in the control room, watching Crane orchestrate the Games with flashy electronics, and more attention paid to Katniss and the other tributes, then the heart-in-the-throat moments would have carried through and given this spun sugar version of The Hunger Games the substance it lacked. Punches were pulled, both in the characterization and the depiction of the violence in the arena, and it shows. Non-fans of the books will most likely find some enjoyment in the flash and fighting and Jennifer Lawrence’s performance, and fans of the book can revel a bit in seeing beloved characters in the flesh. Just don’t expect to find the deeper personal and social commentary of Collin’s books here.
Assemble!! Marvel’s The Avengers hits the big screen May 4... But in the meantime, get your hero fix with Marvel TV’s trailer for season 2 of The Avengers: Earth’s Mightiest Heroes, premiering April 1 inside Marvel Universe on Disney XD! The Avengers have fought against some of the most powerful and dangerous super villains in the world. But just when the team thought they had things under control, new threats emerge… Caught in the crossfire between two warring alien empires – Earth’s Mightiest Heroes must make a stand. But whom can they trust when they learn not everyone is who they seem to be?
Creature Designer Tilders said “Dragons will incorporate everything we learned from Walking with Dinosaurs whilst taking the technology to a brand new level. Using state of the art computer software we are able to make these creatures perform in ways that we previously thought unimaginable. Utilizing computer controlled flying systems we have a show that inhabits the air above you as well as the arena floor below.” The creative team includes the highly acclaimed theatre director and writer Nigel Jamieson, multiple award-winning Australian production designer Peter England and leading theatre, film and opera designer Dan Potra. The stunning score features composition from Icelandic singer-songwriter Jonsi from Sigur Ros and Oscar ® nominated British film composer John Powell, who created the original score for the animated film How To Train Your Dragon.
So now you want to know when this will be hitting our American shores? The tour wraps up in Brisbane April 1st, then it's off to Auckland and then the United States in June! Keep your eyes glued here for further info as it drops.